I really would have been stupid not to have done it. It was also a film that was actually happening, I mean, Miramax was doing it, and it had a kind of legitimacy to it. And once I read the script, I was there.
To confront those fears, in a controlled environment, where there's 300 people around you going through the same thing, it's this weird sort of yin and yang.
We all look to have transcendent experiences that lift us out of the everyday, and fear is a good one. But, I think it's the same reason why people want to laugh their heads off.
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
People can get obsessed with romance, they can get obsessed with political paranoia, they can get obsessed with horror. It's isn't the fault of the subject matter that creates the obsession, I don't think.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
