In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
Sad to think that we won't have any new stories from John Updike, one of the last century's masters. But so many here in the two volumes of his collected stories, 186 by my count, stories to read, reread, savor over the course of a cold season. Updike's genius in the short form spills out of these many, many pages.
The dedication of Don Winslow's novel 'The Cartel' is nearly two pages long: a list of journalists who were either murdered or 'disappeared' in Mexico between 2004 and 2012 - the period covered in this hugely hypnotic new thriller.
In 'A Scandalous Woman,' the eventually distraught narrator watches as her high-spirited friend is beaten down - literally and figuratively - by Ireland's pious customs.
We want a world with both historians and novelists, don't we? Not with one or the other. Every fiction writer crosses the line that divides artistry and documentation - or erases it.
From sublime affairs of state to the stark and vulgar popular culture of our own contemporary lives, let's make this descent into the lower registers together and recognize the good, nasty fun of 'Gone Girl,' Chicago writer Gillian Flynn's novel about the mysterious disappearance of a clever and deceptive young Midwestern housewife.
