It's one of those things that gets written off as humorous when you watch a child entertainer try to redefine themselves, but it can be an intense identity crisis.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
Something Dylan and I really don't care much for is leaning into the identical twin thing. It doesn't make sense.
I had a really, really hard time working with Aniston because I was so in love with her. I was infatuated. I was speechless - I'd get all bubbly and forget my lines and completely blank. It was so difficult.
I come from an educational environment that really praises, as do I, the forms of representation that are otherwise lacking in our public media.
My secret pleasure is painting these little mini figures that you send into battle - they're called Warhammer figures. It's the nerdiest thing in the world, but it's a lot of fun. It's relaxing; that's the main reason I do it.
I think the truth about male friendship is often left out of the media, and it's that it has a million different shades, because masculinity has a million different forms.
My brother and I have a profound nostalgia for our youth, and I think people need to come to terms with things leaving and being gone.
I believe every photographer is influenced by their sexual preference in a greater or lesser way, and it certainly has affected me.
To even be a working entertainer in Hollywood is such a rare privilege.
Jughead, to me, was reflective of a teen experience that made a lot of sense to me.
I took a break from acting for a little bit, came back, and didn't know how it was going to be, but I had so much fun. I really had, like, a reinvention, a renewal.
I'm a believer that we should support various forms of representation because they clearly resonate with unheard groups of people, and for such a huge project like 'Riverdale,' this kind of representation is fundamentally important.
I think we all have different ways with coming to terms with celebrity if you're raised within it. Everyone goes through it differently, and there's no one right answer.
It's no new narrative to say that when people get out of child stardom, they oftentimes rebel in very serious ways.
There's an incredible amount of loneliness that comes with child stardom because you're isolated from your society.
I am a sucker for that childhood romance narrative.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
Everyone loves twins.
Jughead is one of those characters that takes the opinions of his father really seriously and probably seeks a bit of validation from him.
