Most of my relationships were people in the business. Having said that, me and Tim don't really talk that much about work. He comes into my bit of the house every so often to vent but we don't really have very high, cultured conversations.
I'm a late developer. I only moved out of home when I was 30.
I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
Journalists are always calling my features Edwardian or Victorian, whatever that means. I am small, and people were smaller in those times. I'm pale and sickly-looking. I look fragile-like a doll. But sometimes I just wish I had less of a particular look, one that was more versatile.
I love witches and magic and dress-up and make-believe.
I'm often criticised for what I wear. That's my main label in the press now: disastrous dresser!
She looks like a warrior. I mean, Bellatrix does mean warrior. And she's also a bit of a fatale. She's the right hand of Voldemort, and the only woman death eater.
A film actor is just a victim of directors and editors.
I hate this image of me as a prim Edwardian. I want to shock everyone.
People have lots of misconceptions about me. My mum, who is half French and half Spanish, gets outraged when I'm called quintessentially English. I owe my looks to my mum-which was 90 percent of getting my first job. And, some people would argue, 90 percent of my entire career.
I'm the kind of actor who has ventured into escaping from me.
I personally never got the gist of Facebook and Twitter.
It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.
All the ancient classic fairy tales have always been scary and dark.
I also get fed up with the fact that casting agents and directors have this impression of me as being frail and petite. I find it very patronizing. I'm quite beefy and strong. I was a gymnast in school and I have lots of muscles.
No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me.
Not only was it nearly impossible to hear because of these huge rubber ears we had to wear, but we also had these huge furry hands which were absolutely useless, especially if you had to scratch yourself.
Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
Very early on, you figure out that you put your self-esteem in the hands of strangers. There's a different commodity. There's the Helena Bonham Carter that everyone thinks they know, who really has nothing to do with me. But you just have to let that go.
I've never had white teeth. To be honest, I've never been told to do any of those horrible things - get your teeth whitened or your nose straightened.
