For there to be betrayal, there would have to have been trust first.
Don't. Don't let's pretend when there's no one around.
It made me realize how I needed to stop punishing her for something she couldn't help [...] because sometimes things happen to people and they're not equipped to deal with them.
Bukan sifatku untukk kalah tanpa bertarung, bahkan saat kemungkinan untuk menang tampak begitu tipis. -Katniss
I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.
In high school for a couple years we did archery.
If I have to pick one story that most influenced 'The Hunger Games,' it would be the Greek myth of Theseus, which I read when I was about 8 years old. In punishment for past deeds, Athens periodically had to send seven youths and seven maidens to a labyrinth. In the maze was this Minotaur, and it would eat them.
One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
Whenever I write a story, I hope it appeals to both boys and girls.
I try to catch flies in cups and put them outside. After I wrote 'The Underland Chronicles'... well, once you start naming cockroaches, you lose your edge.
I've just had the opportunity to see the finished film of 'The Hunger Games.' I'm really happy with how it turned out. I feel like the book and the film are individual yet complementary pieces that enhance one another.
When I was young, I was trained in stage fighting and rapier and dagger for several years.
If your parent is deployed and you are that young, you spend the whole time wondering where they are and waiting for them to come home. As time passes and the absence is longer and longer, you become more and more concerned - but you don't really have the words to express your concern. There's only this continued absence.
If I took the 40 years of my dad talking to me about war and battles and taking me to battlefields and distilled it down into one question, it would probably be the idea of the necessary or unnecessary war.
Telling a story in a futuristic world gives you this freedom to explore things that bother you in contemporary times.
In 'The Hunger Games,' in most people's idea, in terms of rebellion or a civil-war situation, that would meet the criteria for a necessary war. These people are oppressed, their children are being taken off and put in gladiator games. They're impoverished, they're starving, they're brutalized.
There's a basis for the war, historically, in the 'Hunger Games,' which would be the third servile war, which was Spartacus' war, where you have a man who is a slave who is then turned into a gladiator who broke out of the gladiator school and led a rebellion and then became the face of the war.
When I got out of undergrad, I had a degree in theater and telecommunications. My first job, I was a news reporter for the local stories for NPR. Then I was a country-western DJ. I did data entry for a yearbook company. In my mid-20s I went back to grad school at NYU, and I specialized in playwriting.
The film opens up the world beyond Katniss' point of view, allowing the audience access to the happenings of places like the Hunger Games control room and President Snow's rose garden, thereby adding a new dimension to the story.
I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
