My dad's a professor of medicine; my mum was a nurse. My little sister is going into healthcare. My older sister is a nurse; my brother's in finance - I'm the runt of the litter.
I feel character description from a book can mislead you and actually make you fall off course when you're representing a character using a script.
I think for anybody, regardless of what industry you work in, when you get a new job, and it's progressive in terms of your career, that is one of the best feelings in the world.
I have a relationship with New Line, so I'm grateful to them for taking a punt on me - both for 'We're The Millers' and 'It'.
The transitional period is tough. You can find yourself too old to play high school roles but too young to play the leading man. You have to be quite smart about how you present yourself. Your public image reflects your range.
The thing I get a lot is, 'You've got a very recognisable face.' I'm never quite sure what to make of it.
I come from this bubble in life - I come from a great family and went to a nice school, and I have friends, and life is pretty rosy.
I'll just say it: I'm not the sharpest tool in the box. Being forced to go back to school is still a fear of mine.
I feel really blessed that I found what I love doing and was able to make it a living from such a young age. I realize that I'm really fortunate. I didn't train; I kind of got lucky. And I remember that every day. I think I have to remind myself of that to really, fully appreciate life now.
I think it reaffirmed something that I believed in and conceptually always had faith in which was that you're most effective when you work as a team. I love that about filmmaking. I stopped playing team sports at 15-16 because of acting. I think I find a kind of new team sport in filmmaking in a way.
