I have long begged off the question of my albums reflecting where I am 'at' personally. There is more inaccuracy in that approach than accuracy.
Some people write a thank you note for a gift, and it's three pages long, and some people write a thank you note, and it's five sentences - that's me. I like to pare away words because I don't want to waste anyone's time.
I cross things out more than I write them. And if I try to sing a line, and I know that it's written incorrectly, I get this weird sort of physical nausea, and my mouth curls up all strange. I guess that's why I always write the words first: because, if everything feels okay, I'm ready to put it to music.
I feel like there's already a written narrative going on everywhere. All the different situations and realities you're in, like words floating by. It's something that I didn't start thinking about until recently, but you can hitch that ride, that narrative that's already been created. You just have to read it and write it down.
I will concentrate on playing guitar, on lyrics and on singing. I am a part of things; I am not the encompassing 'Smog.'
I knew absolutely nothing about recording. I had this four-track recorder, and I'd plug my electric guitar right into it, which sounded real bad. I moved any fader that made a drastic change in sound. I thought that was cool - that it was communicating something. I didn't have the skills to do anything subtle. It was just like screaming.
