Most of the time I was in the Northeast, I lived in the country, and I think that helped me to discover my material for writing.
Rock and roll is about desire, about wanting something better. I think my characters all want something better. My understanding of the rock and roll dream is that a kid in an isolated place or a small town or an underprivileged world could transcend it somehow.
Writing about where I was from and the people I knew was not something that would have occurred to me early on, because like so many Southerners of that period - the Sixties - I rejected those things when I went north.
Writing a novel about World War II and the French Resistance was a challenge both sobering and thrilling.
I rejected the traditional notion of 'women's work,' but I never thought of my early ambitions in a feminist way, exactly. Primarily I rebelled against apathy and limited education. I was rejecting a whole way of life that I thought trapped everyone.
My mother watched the skies at evening for a portent of the morrow. A cloud that went over and then turned around and came back was an especially bad sign.
