I used to change things in my early paintings to get the nuance or feeling I wanted, but now I plan everything in my head before I do it.
I love my sculptures, and I was lucky I had them for 50 years because no one would look at them, and I really liked having them around.
The Mediterranean is always just white, white, white.
I would've liked to have been Poussin, if I'd had a choice, in another time.
