There is that idea of seeming crazy when you're seeing spirits or you're seeing dead people, you know what I mean? There's a certain sort of stigma, a sort of kookiness, when it comes to that.
If I look at the one thorn that is in my side, of all my life, it is my weight. I fret about it, I'm anxious about it, being an actor on television - it drives me insane. It just seems to be something that plays a central part in waking up in the morning and thinking, 'How am I with myself today?'
My school friends thought I was outgoing and bubbly, but that masked a lot of insecurities, and maybe that's the reason I chose drama - to build a bit of self-confidence. I had a great teacher, and I won a few speech and drama competitions and just fell in love with it.
Some people think that there aren't many Aboriginal actors around, and if there are, they're not that good. It's stupid. There's such an incredible pool of talent out there, and they're still coming out of drama schools. People just need to take a leap of faith.
I like solitude. I'm very good at being disconnected. I do a lot of disappearing. People who know me go, 'Oh yeah, Mailman, she's gone into her cave again.' I'm like that, a bit of a hibernating bear. Like that crocodile that just sits there in the water and doesn't do much. I was always a bit of a dreamer as a kid, so that hasn't changed.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there. So you do have to be resourceful and be able to flex your muscles artistically.
