My mom's an art teacher, so I always had music in the house. She always had records, and I was mesmerized by the mechanics of how a turntable works.
The main thing is we never dissolved our Gang Starr contract. We are still signed to each other. We never disbanded the group. If Guru really wanted to super-dead it he would have said, 'Yo, I want out.' And I still would have tried to convince him to stay. We are still Gang Starr.
You can't do seven successful albums and just hate each other. Our yin and yang, and night and day, is what made us great when we went into the studio.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
I would always have turntable elements in my records even if it was just one scratch.
Guru was actually who A&R'd and got Lord Finesse signed because he used to listen to the demos at Wild Pitch. And he was the one who actually said, ‘Yo, this Lord Finesse guy is dope.' And Stuart Fine signed him to Wild Pitch. That's how we became labelmates.
