I'm not someone so much interested in exploring a slice of life unless that is down the corridor, around the corner, up the alley, and down the rabbit hole. That, I like.
When doing theater, you have to find great satisfaction in the small things. There's going to be a repetition and a redundancy night after night, but it's the small variations in those moments - a word, a tone of voice, the smallest sense of enlightenment that can happen in an instant onstage - that will be the most rewarding.
I know that one's visibility is very high on television, even with an unsuccessful show! With a successful role, it's even higher.
For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
If you find great difficulty in trying to reckon with the future or even the present, I think it's intuitive to start that process by reckoning with the past.
I pretty quickly move from an idea to possibilities for execution. If there's one advantage, I think, with working in television for even a short amount of time is trying to gain a faculty for processing a storyline or an idea and how to then best implement that and execute that as swiftly as possible.
