It was, when I read it, I thought, such a beautiful script. I loved the story. I thought it was well handled. I thought it was even more moving because it was a true story and that made it even more poignant.
We live in downtown Manhattan and we have pretty big windows that looked right at the World Trade Center. I was home along with Kai and we watched it all happen. I was holding him in my arms and we were looking out the window when the second plane hit.
I almost moved into a place over a funeral parlor. My father said, 'That's just too macabre,' but I thought I'd be embracing my mortality. I told him it would keep me grounded - like when people get skull tattoos.
We equate beauty for women with youth, and that's sad. It's a shame it's so hard for so many of us to appreciate the beauty of an older woman and to accept it in ourselves.
I still get recognized for 'Labyrinth' by little girls in the weirdest places. I can't believe they still recognize me from that movie. It's on TV all the time, and I guess I pretty much look the same.
At the end of the day, what difference does it make if you made 10 films or 18 films? You made 10 films, but you had a great relationship with your kids, or at least you did your best not to screw them up irrevocably, or you made 18, and they don't return your phone calls.
