The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum - because of slavery.
It's very hard to deal with true subject matter, especially when you're writing about such weighty issues.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
Throughout my career, when I have been rejected, there was sometimes subtext, and it was this: People will not read your work because these are not universal stories.
History and socio-economic inequality and all those things had, like, borne down upon my family and my community and really sort of narrowed our choices.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
