My first memory of cinema is my mother taking me to see 'Silkwood,' which is about a whistleblower at a nuclear power plant.
I don't like to eat when I watch films because it distracts me. Anything crunchy or in a wrapper is terrible.
What I've always been most interested in is exposing the way stories and fantasies reconstitute our everyday reality. What appears to be non-fiction is not only totally mysterious, unfathomable, and strange when you really look at what it is.
The function of journalism is, primarily, to uncover vital new information in the public interest and to put that information in a context so that we can use it to improve the human condition.
Although we can talk about an Indonesian democracy, or we can talk about democratic elections and democratic rituals - the trappings of democracy - we can't genuinely talk about democracy in Indonesia because there is not rule of law, and democracy without rule of law is a nonsense.
I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life.
