I love that feeling. I guess I love escaping my life, really. I love going into another world and feeling for this amount of time that this is it, this is the world I'm going to live in. You feel it more during the rehearsal process.
I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
You kind of wake up in the morning, and you don't see anybody but these actors until you go home at night and pass out and do it again. So it's structured a lot like the process when you're making a film. You just kind of get in that tunnel vision. I like that. I like when the rest of the world kind of quiets.
Self-promotion is not my strong suit, for sure. I don't look down on it; I just don't understand how to do it.
What's comforting about coming from a family of actors is I don't have to explain the struggle. I can just sigh to my sister, 'I had a bad one,' and she'll know exactly the profound audition humiliation I am describing.
I have been a scrappy actor for 10-plus years, and when you're playing supporting roles, your relationship with the costume designer is very different.
