We released '1950,' and I felt so grateful for the response from the queer community as well as just musicians and people in the industry responding to it and validating the art I had made. It makes me feel super hopeful.
I think it's so funny because straight people just don't think about gender in their songs, or making a statement by talking about love.
I've seen so many beautiful, strong, talented women stifled by male ego in rooms, and I want every young woman who feels that their music is being taken from them to know that they have a voice, and they have the tools, and that it's possible.
How I can be an active voice for gay people but also the music industry? This is the art we need right now. This is what we need right now. We're in a renaissance, and we need people to rebel, come forth, and bring messages into art.
There's just a certain amount of grandeur and total squalor we exist in as songwriters because it's a crazy job for crazy people.
Having a sold-out show takes a lot of the pressure off because I know that it's going to be a room full of people who are excited to be there. The worst part - or the part that I'm adjusting to - is the actual act of traveling. The hotels are pretty trash.
