I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.
As singers, we're always taught to sing forward and place everything in the front of our resonating chambers. Donna Summer always sang in that space and had it naturally. Her muscle memory, the way she was built - she was a natural singer.
I am working on music and telling my personal story and sharing my talent on stage.
'Feeling Good' is a peek into my life through song.
In my own one-woman show, 'Feeling Good,' I talk about my childhood and write a letter to my younger self in the show. The most important thing I would tell her is to trust my instincts. Just trust them. They're little whispers from God, I think. You've heard it a million times, but it's true: Listen to that inner voice.
I went to see 'Kinky Boots' to see my friend Billy Porter in his groundbreaking performance. But while backstage, I was hoping for a chance to meet this young, dynamic performer Annaleigh Ashford. Her comic timing was brilliant. And she is obviously a triple threat.
