I have not tried for a career that's showy. I have always tried to layer things in and not push it. I love an underperformance, where you're so entrenched in who that person is that you're living in it.
I think most Americans, when we're building a character, we look at the specificity of what that person is, in particular.
I've learned that all of us should be constantly mindful of what's going on around us. Sometimes I think we get pretty single-minded in our pursuits and forget that we really do need each other. We need to actively engage in giving and helping each other every day.
Atlanta was a welcoming presence for a lot of artists; they called it 'the Mecca of the South.' I got to see the Negro Ensemble Company, Cicely Tyson, Geraldine Page, Ruby Dee, all onstage.
Folks are always talking about 40 acres and a mule, but what we need is some psychoanalysis. Forget 40 acres in a mule: sign all of us up for some shrinks so we can get ourselves right by reflecting and truly learning ourselves.
I did theater at Spelman until I graduated from there, and I got to work with such luminous actresses as Diana Sands in 'Macbeth.'
