Finding the voice of a character, no matter who it is - from Black Widow to Han Solo - is the first and most important hurdle for me to cross in any work of fiction.
When I'm writing comics, I'm also visualizing how the story will look on the page - not even always art-wise, but panel-wise, like how a moment will be enhanced dramatically by simply turning a page and getting a reveal. It requires thinking about story in a way I never had to consider when I was writing prose.
My dad is Chinese, and my mom is a white American, and they married only ten years after the United States Supreme Court ruled that it was illegal to ban mixed marriages. Imagine that. Marriages between people of different races - now common and accepted - were illegal in many states up until the late Sixties.
I don't write fight scenes in comics all that well. I think they're a waste of space unless they can move a story forward in some compelling fashion. You've only got twenty-two pages to work with. Why throw that away on a set of meaningless punches?
I'd like to go back in time and haunt Robert Louis Stevenson during his years in the South Pacific.
Word of mouth is the saving grace of us all. If you love something and you think your friend will love it, just talk about it.
