The acting of the '50s is really stylized, so you're not really getting a lot of authentic, everyday characterization of people.
The business can be frustrating. For me, Omaha is a rounding foundation. I was raised in a very faith-filled household, very hardworking. It made me aware of what privilege is. And it's a place I can go back to, spend time with nieces and nephews, celebrate the things that have nothing to do with the hubbub of Hollywood.
One thing I wasn't quite aware of is that when you are extremely outnumbered by a lot of girls, and they become comfortable, it is outrageous what kind of stories they tell behind closed doors.
I think... as an actor, you never want to overspeak about something because, frankly, you want people to be excited about it but still have relatively low expectations so that people will feel better about it.
