I often have scripts sent to me with allegedly Scottish characters where I end up telling them, 'You're going to have to rethink this whole thing!'
There are a lot of things that make up a performance, a lot of technical things. It isn't always just about pulling it up from the darkest recesses of your mind or your heart. It's your experience and your observation.
I think I have a natural, if I can say that, got a kind of natural ability in comedy.
To pursue a career in Hollywood you have to have a personality bypass. Look at the top 20 stars in the world - there's probably only two actors among them. Hollywood's not about you as an actor. It's about your currency, what you 'bring to the table'. And I've never been one to jump through hoops for anyone.
We met in Cracker. I played a maniac fan who murders a policeman and she did my makeup. I thought anyone interested in me looking like that must have genuinely liked me.
A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.
