I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.

I was raised a Roman Catholic and had to go to the eight o'clock Mass every morning and have communion and wear a tie, kind of like a restricted life style. Then in the '60s, we got wild and let it go and started looking in other places to see where God really was, and I came back to the Christian thing.

I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.

I'd like to be remembered as a keeper of the flame who kept traditional music alive, because I've been doing that twice as long as I was in the Byrds.

Well, I guess that early 12 string. The first Martin I bought. I bought it around 1957 with money I earned as a janitor assistant. I bought brand new. I still have that.