If I see one kid dressed up like Thunder or Lightning or Black Lightning, I'll feel like I influenced the culture in a very positive way. That's the endgame for me. If this happens, my mission will be complete.
There are so many slices to the African-American experience. I mean, I have the whole ghetto pedigree. My mom was in jail, I didn't have any money, and I didn't go to a fancy college. But that's not the type of story I want to tell or feel the need to tell on film.
No matter how happy and peaceful you can be at a certain time, you always have this - at least, I do - paranoia or catastrophic thought that even now that I have all this peace and quiet, what's the next challenge? What's coming next? On a very human level, I think most people can identify with that.
I always approach storytelling with the idea that the audience will get it. They understand almost better than we do, because they get to watch it from an entirely different perspective with new eyes.
Often, African-Americans' work is accepted as if we did something artistic by happenstance. It's almost like, 'They make TV shows the same way they dance. It's just natural!'
My wife asked me to marry her. But we did not jump the broom.
