What I find funny are peoples' blind spots. That's the funniest thing about anybody - when they just don't realize who they are. What's funny about seeing a hippo do ballet is it thinks it's a swan.
When you grow up with siblings, you can be like, 'Isn't this weird? Isn't this funny? Do we agree on this, or do we disagree?' You have some point of reference, some touchstone. When you grow up an only child, everything is internalized.
I've eaten part of my tooth. I had a weird cavity that broke apart in my teeth - this is a bad story. I was eating and thought, 'It's like I'm swallowing rocks,' and then I checked and part of my tooth is missing. I ate it.
I would love to carry on with Second City and see where that takes me, but it's always been a dream to work on 'Saturday Night Live' and do films.
At Second City and improvising at iO, you're creating a character in an instant. All of a sudden, you're creating this history and this past for your character, and you're discovering it while you're doing it, and that's part of the fun of it.
The most interesting thing about characters are their blind spots. They miss the periphery.
