In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.
I became a Christian within a fundamentalist church. I saw 'A Thief in the Night' on a 16 mm. print when I was in the eighth grade, and I got the whole scare speech from our pastors. 'Do you want to be left here, left behind, for the Tribulation? If not, then come forward.'
For me, there is a basic recognition of horror as the most open doorway where the intersection of philosophical and religious ideas can come tighter.
I really love horror novels, horror films, that are pointing at deeper ideas and thematic meaning. It's a way of thinking about films differently; that's what I think I like the most about it. I love the fact that's it's pointing at a more mysterious world - that the world is more of a mysterious place than we tend to let ourselves believe.
Some of the most intelligent people I've met in my life are priests and pastors; now, a lot of them aren't that, though. Some of the most sanctimonious and hypocritical people I've met are priests and pastors, also.
I'm not a dispensationalist - I don't believe in the Rapture. I think it's an unbiblical doctrine, and in North American Christianity, at least, it is the teaching that is the root of much of our subculturalism.