Insofar as there is an anxiety of influence for a biographer, it may be that each new book is undertaken in reaction to the previous book.
Reality does not easily give up meaning; it's the biographer's job to clobber it into submission. You're meant not only to tame it but to extract substance, to identify cause and axiomatic effect. You subsist on the tactical omissions, the hollow words, the oddly unconnected dots.
No one sits on the stoop when she's a kid and thinks, 'I want to be a biographer when I grow up.'
My next book is on the Salem witch trials. As a small-town Massachusetts girl, this makes me very happy. So does the reunion with documents!
I can't write a line without music - it provides just the right amount of distraction to keep me focused. Clearly, I still miss the noisy roommates.
Nonfiction writers are the packhorses of literature. We're meant to carry the story. If we can make it up and down the mountain by a reliable if not scenic route, we have delivered. Technique is optional.
