I'm quite subdued, believe it or not. I switch it on for the camera.
As the camera, I try to subordinate every word to be truthful and honest to each character's context.
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
What makes a lot of suspenseful films work is very, very particular points of view and very subjective use of the camera.
Unlike others who have been caught swearing on camera, I apologised immediately. And yet I am the only person banned for swearing. That doesn't seem right.
I had a list of 10 rules when we started 'Strong Island,' and one of them was, 'Yance will never appear on camera with sync sound.'
My first taste of the business was the glamorous job of pulling camera cables so they wouldn't get tangled while the football games were filmed.
It is unfortunate that the poor judgment shown by a small group of young actors has tarnished the reputation of every child who has ever appeared before a camera.
I'm a techno moron. I need help just to plug in my video camera.
When you're on film or TV, essentially you're in front of the camera. Unless it's a Tim Burton thing, the desire is to be real and grounded.
After becoming Miss World, I now have some idea of what goes on behind the camera, and that filmmaking is a tedious and time-consuming process.
We have so many great memoirs from women in front of the camera, from Tina Fey, Mindy Kaling, Amy Poehler, and Amy Schumer.
The camera makes everyone a tourist in other people's reality, and eventually in one's own.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
The reason bin Laden staggered the planes going into the towers was so every camera would be focused on the second tower when the plane hit. It was not only the murder, but the perpetual image of the horror that permeated into people's consciousness.
I think my role, I want to have a presence both behind the scenes and in front of the camera. So I can't say on one particular thing, so I'll just name them all. I'll be the jack of all trades and hopefully decent at one of them.
And the camera position, the organization, looking for repeating forms, shapes, trying to set up a visual rhythm seemed to come very natural. All of a sudden I was in a forest of aluminum and steel rather than a forest that we might think of in a traditional sense.
Working in front of the camera keeps me alive. I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
The only interaction I had with my brothers is like negative attention where I'd basically egg them on into beating me up - which was delightful! Otherwise, it was me with a video camera jumping on a bed pretending to be the Ultimate Warrior or setting up my robots making a Transformers movie because I was a lonely kid.
What separates us from other camera companies is that the vision guy is the decision maker. That was one of my biggest advantages at Oakley, and it's the same at Red - I'm in the trenches, in the product development, and I make the final call.