Quotes Tagged "dance"

Between my soul and my spirit, there is a ring of being, Where you jingle with joy, dance with the divine, my king.

The good news is that Christ frees us from the need to obnoxiously focus on our goodness, our commitment, and our correctness. Religious has made us obsessive almost beyond endurance. Jesus invited us to a dance...and we've turned in into a march of soldiers, always checking to see if we're doing it right and are in step and in line with the other soldiers. We know a dance would be more fun, but we believe we must go through hell to get to heaven, so we keep marching.

What you think of yourself in your mind is nobody's business. Make it count.

I often wished that more people understood the invisible side of things. Even the people who seemed to understand, didn't really.

People who don't see you every day have a hard time understanding how on some days--good days--you can run three miles, but can barely walk across the parking lot on other days,' [my mom] said quietly.

All my life I've been fascinated by the precipice in all of us. When you come to it, you either choose to fall or you don’t --Alvin Ailey

There is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost.

For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

[Introverts] are also more flexible in a sense, in that sometimes they must do what extraverts do all the time, meet strangers and go to parties. But some extraverted people can avoid being introverted, turning inward, for years at a time.

Every time I see a baby my heart dances with joy and my mind appreciates her for taking us into the distant future.

Sometimes, what we need the most is the strength to survive in this world. Which forces us to pay, to watch the demons destroy the paradises we built and dance on its ruins.

For everyone out there, who is watching your loved ones dancing with someone else, for the songs that you had written for them. Remember this. Not everyone can come up with beautiful compositions. It takes a heart that knows no boundaries, and a soul that shines with a light, that can make even the gods go blind. They took away your song, but not your soul. Start writing the new ones, and you will eventually find someone who will sing every song written by you, beautifully, and only for you.

I wish to drown in my pain, alone, just like a moth dancing to its death in the flame!

Love is stillness quaked only by the leaves' cascading pirouettes.

Forget your voice, sing! Forget your feet, dance! Forget your life, live! Forget yourself and be!

Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.

When there is no tension between the inner beingness and that which is being expressed, there is grace.

Young dancers have a beautiful, strong, flexible, and resilient body. And they have the fire of hope in their heart. However, the fire can be a bit feral like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spitting or it can get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides his time. He has patience. He pulls the fire inside and lets it smoulder. He doesn’t waste his energy on fights not worth the battle or where the casualties would be greater than the goal. He owns his failures like scars that say it would be wise to take him seriously. He is not ashamed of his loves. He values his spirit and lets it grow. It’s in the eyes. The body may move less but it has presence and a power of a different sort. It is authentic.

I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

It was music first of all that brought us together. Without being professionals or virtuosos, we were all passionate lovers of music; but Serge dreamed of devoting himself entirely to the art. All the time he was studying law along with us, he took singing lessons with Cotogni, the famous baritone of the Italian Opera; while for musical theory, which he wanted to master completely so as to rival Moussorgsky and Tchaikovsky, he went to the very source and studied with Rimsky-Korsakov. However, our musical tastes were not always the same. The quality our group valued most was what the Germans call Stimmung, and besides this, the power of suggestion and dramatic force. The Bach of the Passions, Gluck, Schubert, Wagner and the Russian composers – Borodin in ‘Prince Igor’, Rimsky and, above all, Tchaikovsky, were our gods. Tchaikovsky’s ‘Queen of Spades’ had just been performed for the first time at the Opera of St Petersburg, and we were ecstatic about its Hoffmannesque element, notably the scene in the old Countess’s bedroom. We liked the composer’s famous Romances much less, finding them insipid and sometimes trivial. These Romances, however, were just what Diaghilev liked. What he valued most was broad melody, and in particular whatever gave a singer the chance to display the sensuous qualities of his voice. During the years of his apprenticeship he bore our criticisms and jokes with resignation, but as he learned more about music – and about the history of art in general – he gained in self-confidence and found reasons to justify his predilections. There came a time when not only did he dare to withstand our attacks but went on to refute our arguments fiercely.