Let's teach boys at school the personally and economically valuable skills of self-expression and emotional intelligence, of mediation and problem-solving.
What matters is hard work, and emotional intelligence.
My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.
I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.
Anytime in radio that you can reach somebody on an emotional level, you're really connecting.
Even in a crowded room, likable leaders make people feel like they're having a one-on-one conversation, as if they're the only person in the room that matters. And, for that moment, they are. Likable leaders communicate on a very personal, emotional level.
Cinema isn't just a good medium for translating graphic novels. It's specifically a good medium for superheroes. On a fundamental, emotional level, superheroes, whether in print or on film, serve the same function for their audience as Golden Age movie stars did for theirs: they create glamour.
They kind of took it out of our hands. We're still able to deal with him on an emotional level.
I went into politics on an emotional level and soon realised that emotion has nothing to do with politics.
We always describe a piece as 'really lively' where it seems the work dances off the paper or the silk. Art has to hit you on an emotional level rather than just the analytical.
On an emotional level, success in America would be terrible for me; it would be insane. I really, seriously, never want to be famous here.
I discovered that my drag really does speak to people on an emotional level. I also discovered that people are sometimes put off by an intellectual approach to drag.
Vivid images are like a beautiful melody that speaks to you on an emotional level. It bypasses your logic centers and even your intellect and goes to a different part of the brain.
I love sharing my stories and experiences with people and connecting to them on both a humorous and emotional level.
Music should resonate with people on an emotional level. That's one of the criterions I use for an idea. Does it speak simply and directly without obfuscation and without being unnecessarily complex or obscure?
I try not to obfuscate or to be to obscure or to be too cerebral. I like to work on a visceral, emotional level.
In order to get a note out, I have to dig deep, and I mean that on an emotional level. To physically sing, I have to get somewhere deep before I can do it.
What I try to do, what I attempt to do, is say things that I mean at least at an emotional level.
For me, all you want from your actor is for them to engage on a deeply emotional level with the material. If you feel like that happens, directing the actors is pretty much done at that point.
Never build your emotional life on the weaknesses of others.
