When you are a young actor, you're imbued with the high purpose of your art. You think, 'They hire me for my talent; if that's not good enough, then they can hire somebody else.' Later, you realize that your body is as much a part of what you do as your talent.
But I think there are more good young actors now than ever. It's a medium that everyone wants to be connected with - it is such a hip medium going into the 21st century.
I think there are more good young actors now than ever. It's a medium that everyone wants to be connected with - it is such a hip medium going into the 21st century.
I say this to young actors: You don't get into this because you think you're average. You get into this because you think, 'I'm good.' It's an art form, and I'm an artist. But as an artist, you know there's not a soul in the world that's going to believe in you other than yourself.
I see kids and young adults walking the streets of L.A. with this enormous sense of entitlement, who seem to think that if they are basically good people and pay their bills, then the world will be good back to them. And I think life isn't always like that.
I also mixed David Bowie's Young Americans album in 5.1 earlier this year and it will be available very soon. Even the original stereo mixes have been re-mastered and sound amazingly good, better than ever, in fact!
I hope young athletes can imitate my good side only, not the bad side.
What I've learned about being trans in transition is just that sometimes good things don't happen when you try to rush things. Just as a young girl grows into a young woman, you know, we transition; we grow into our bodies the same way.
I tell all the young guys, don't make choices because somebody else is telling you it's good from a career-maintenance perspective.
I haven't been in tennis for that long, but what I can say is that we have a lot of young guys at the top who are willing to do a lot of good things for tennis in general.
Young guys kind of have this chip on their shoulder of, 'I want to prove something,' right? 'I've got to prove how tough I am. I've got to prove how good I am.' And man, now as I'm getting older, I think it's almost sad when guys my age and older still have that chip on their shoulder.
I had a good guitar, and I was a young, young kid.
I've been with this young lady for about two years now, and my life changed. I don't even think that way no more. I feel good, too, that I'm changed. Now I feel regular. I feel like I'm supposed to.
No matter how good you are, your mentality has got to be right. A lot of young players, that's where they go wrong, and that's what I've always seen when I was growing up - players who are almost there but couldn't quite get there because the mentality wasn't right.
It doesn't necessarily have to be championship-or-bust for me to go back to the NBA. I want to be in a situation where I thought I could help, play a little bit, and help where they have good young talent.
I've experienced tournament wins with younger age groups and I know how good it feels - it's about carrying on.
I was a 'Duck Hunt' and 'Mario' guy, and stuff like that. I was never technologically driven. I never had all the cool, new toys. I was the youngest child, I wasn't the only child, so I wasn't spoiled as a kid. And, we were on the farm, so we didn't have a lot. Also, with computers, I'm not very good with them. I just check my email.
The NRL is not an easy gig, but they have some good talent, some good youngsters coming through.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
I promise you, if you look at YouTube and see some of my first covers, you will hear that I don't sound good. But I was so obsessed with it and wanted so much to be good at it that I forced myself to figure out what sounds right and what sounds wrong.
