I'm trying to build a brand, so I can sell Keyshawn Johnson products in stores. You know, paint, rugs, carpet, drapery, fabrics, blankets, towels, hardware, plates.
You and I can go on YouTube and learn how to fix a tractor engine or learn Farsi. Groups are using those tools to recruit young people into a climate of hatred.
I used to practice those trampoline dunks back at Golden State. I can flip and everything.
And if I can take part in it by transforming my own consciousness, then someone else's, I'm happy to do it.
I try to be as honest as I can in writing. That's what ends up translating and relating to people.
I'm a good communicator, and I'm a good translator. I can talk to engineers; I can talk to people for whom technology is not remotely interesting or even maybe scary - things like that.
Probably the most useful thing I can do as secretary of state is to assist the president in adapting and renewing the transnational institutions that were created after World War II.
I don't do much to keep in trim - I try to walk places instead of driving whenever I can, but I really ought to do more.
All I can say is that I played the game in true spirit.
I don't think I can answer questions about the trust fund.
I'm a sucker for turquoise sea, white beaches and palm trees. I've been to the tropics every year since I could afford it. It's the perfect place to unwind. I can chill out, read, do a bit of yoga.
I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.
Writing for myself and writing for another artist are two very different experiences. When I handle both the story and the art, I have full control. I can endlessly tweak every word and every line.
I can put tweets on a map to show who is saying what where, which could be used for marketing or social research.
I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.
I just try work out at least twice a week if I can.
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
There is nothing about resilience that I can say that my father did not first utter silently in eighteen years of living inside a two-dimensional cutout of himself.
My first attempts to transmit typhus to laboratory animals, including the smaller species of monkeys, had failed, as had those of my predecessors, for reasons which I can easily supply today.
I can be unbearable sometimes asking for so many takes.
