In order for sensation to accede to the objectivity of things, it must itself be changed into a thing. The agent of change is language: the sensations are turned into verbal objects.
I came up with new leads for game stories by being observant and clever, by using the many gifts of the English language to intrigue and hook a reader.
I'm very interested in language because it reflects our obsessions and ways of conceptualising the world.
If an offer comes my way, I would love to sing in every Indian language. It will be like an ode to my fans from every corner of the country.
Language just gradually came in, one or two stressed words a time. Before then, I would just scream. I couldn't talk. I couldn't get my words out. So the only way I could tell someone what I wanted was to scream. If I didn't want to wear a hat, the only way I knew to communicate was screaming and throwing it on the floor.
I'm interested in when language fails, when it is opaque.
I don't know what 'operational control' of the border means, but I do understand the English language. And as I understand that phrase, that's not true. We do not have operational control.
Given Pounds and five years, and an ordinary man can in the ordinary course, without any undue haste or putting any pressure upon his taste, surround himself with books, all in his own language, and thence forward have at least one place in the world.
Language is a part of our organism and no less complicated than it.
Conservatives who believe that the Constitution should be interpreted according to the plain meaning of its language and the original intent of the Framers have long been troubled by the court's decisions expanding the commerce clause to authorize Congress to regulate the most local of matters within a state's borders.
I've done two remakes, 'Rowdy Rathore' and 'Son of Sardaar,' and I see nothing wrong with it. The originals were in a language that not everyone understands, so when you're making it in another language, you can reach a much wider audience. That's how I look at it.
When you lose a spouse, you're a widow or widower; when you lose your parents, you're an orphan. When you lose a child, there's no word in the English language for that position, that place that you're left.
I'd read Shakespeare in school, translated into isiXhosa, and loved the stories, but I hadn't realised before I started reading the English text how powerful the language was - the great surging speeches Othello has.
Language is a virus from outer space.
The things I see now on TV and in movies are so outlandish. Kids doing rude things with pies! And the language that they use! It's being outrageous for the sake of being outrageous. I can't watch it. It turns me off.
There was a match in Alaska that I had with Beth Phoenix at a house show where we had a standing ovation from Ric Flair, Triple H, John Cena, and Arn Anderson. I got to work with her so much that we knew each other's body language. Got a standing ovation from the entire locker room. It was amazing.
Speaks cheerful English and in the past has written this language with a paintbrush that talks.
If the word 'No' was removed from the English language, Ian Paisley would be speechless.
Over the years, I've trained myself to speak using the same language I would use if I were typing: meaning using full sentences in the way that paragraphs and scenes are arranged.
What we know is that Shakespeare wrote perhaps the most remarkable body of passionate love poetry in the English language to a young man.
