With social media now, everybody's faceless, but I assume these kids sending me pictures of myself of Instagram are twelve, thirteen years old.
I've been a rescue dog mom several times and occasionally found comfort in scrolling through pictures of animals on various adoption center websites, just to fantasize about adding to the family.
The photographer, even in fashion and portraiture, has to have a standpoint. It's important to know what you stand for, no? Most people just take pictures, but they stand for nothing. They follow trends and don't know why.
Twitter's more fast-paced. Instagram, it's more, like, lifestyle and posting very specific, cool pictures.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.
I hate smiling. It makes me feel weak and powerless and small. I've always been like that; I don't smile in any pictures.
Everyone knows now how early a fetus becomes a baby. Women who have been pregnant have seen their babies on ultrasounds. They know that there is a terrible truth to those horrific pictures the anti-choice fanatics hold up in front of abortion clinics.
Great pictures can't be entirely fictitious.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
We all have our vanities. The retouching magazines like 'Vogue' do is the professional version of the retouching we do when we, for example, apply Instagram filters to the pictures we take and share on our social networks.
What switched me to films was the flood of American pictures into Paris after the Liberation.
I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position.
I realized that you could formulate theories about human and social phenomena in language and pictures and whatever you wanted on the computer, and you didn't have to go through this straitjacket, adding a lot of numbers.
I won't lock my doors or bar them either if any of the old coots in the pictures out in the hall want to come out of their frames for a friendly chat.
Marks on paper are free - free speech - press - pictures all go together I suppose.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
Gen Y is really quite distinct from Gen X; it's really self-involved and very narcissistic - their cameras are filled with pictures of themselves; Facebook, it's about me. It's a generation that's been pampered by their parents and their schools, given prizes for just taking part.
One of the most important things about the geology on the moon is your descriptions of what you see, comparing them to things that you've seen on Earth so that the geologists and the scientists on the ground would know what you're talking about; and then take pictures of them.
I don't want to be a silly temptress. I cannot see any sense in getting dressed up and doing nothing but tempting men in pictures.
