Every artist dips his brush in his own soul, and paints his own nature into his pictures.
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
Although we don't know what is outside our universe, astronomers still wonder. Several pictures of what there might be have been dreamed up. An interesting one, called multiverse, has lots of universes. Picture it as a foam of bubbles. Our universe would be one bubble, and we'd be surrounded by lots of other bubbles.
Pretty much every night of their lives, my 8-year-old sons have absorbed themselves entirely in books. As toddlers, they pointed out pictures, made conjectures; lately, we find them in their bunk beds embarked upon two-hour comic-reading benders.
Some of the pictures I must say every now and then I just think are going to be funny. When it gets that much, you might as well just pull out all the stops and make it more of a burlesque.
When I was in high school, I had binders with pictures of tour buses.
There's no reason for anybody to jump out of bushes to take pictures of me. I'm not doing anything exciting.
I like having the digital camera on my smart phone, but I also like having a dedicated camera for when I want to take real pictures.
I do not like candid pictures. They are so unattractive.
I have candles, pictures and flowers on my nightstand... and of course a lamp!
I would literally sit at home and have my friends take pictures of me on my little Canon camera that my mom gave me for Christmas.
An empty canvas is a living wonder... far lovelier than certain pictures.
Everybody has their thing they like or don't like to see. It's all in your head. That's why people take their own pictures, because it's difficult for someone else to capture what you seek.
It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.
My transition from wanting to be a cartoonist to wanting to be a writer may have come about through that friendly opposition, that even-handed pairing, of pictures and words.
I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.
I'm an incurable romantic, and Casablanca's one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.
At 'SNL' there's framed pictures of all the cast members, and it starts with Dan Aykroyd. It's linear. It just keeps going through all these people, and then you're at the end of it.
I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.
There is something about Prince William and Prince Harry that brings real modernity to the British royal family. They are also very open, human, and kind, and this is what I have tried to capture in the pictures I have taken of them as well as in my pictures of Prince William and Catherine.
