It's about timing and rhythm. But who could be better than Chaplin or Keaton?
Starting you automatically gets into your rhythm faster. Coming off the bench, you're colder; it can be harder at times.
Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
Non-figurative art is created by establishing a dynamic rhythm of determinate mutual relations which excludes the formation of any particular form.
White rhythm is waltzes, marches, and the polka. In Africa, rhythm is used for a celebratory groove, but white rhythm doesn't have such an enormous vocabulary of spirits. It's basically militant.
I really consider myself more of a rhythm guitarist than a soloist.
It's only a hitch when you're in a slump. When you're hitting the ball its called rhythm.
But since the middle of the century in particular, the music has become very irregular in rhythm.
There's also a certain rhythm to the way Jews talk that might be funny.
Tuscan sausages are smaller than their American cousins, each one demarcated with a string, a graceful loop drawn tightly into a knot - looping and tightening, looping and tightening, a symmetrically floppy, aesthetically appealing rhythm.
I actually enjoyed the struggles that we had trying to shape 'Blood', to get the pacing right, the rhythm of it.
There are so many similarities between a startup venture and a political campaign - the rhythm, the tempo, the hours, the intensity.
Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.
Life is about rhythm. We vibrate, our hearts are pumping blood, we are a rhythm machine, that's what we are.
I rewrite a lot until I get the rhythm and story right on the page.
I was 15 when I first became deeply touched by the rhythm and structure of words.
The heart of a music is its rhythm. The heart of rhythm section music is the rhythm.
