If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
We believe that when there is a democratic setup, we have a greater voice.
T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation.
By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from.
When I was younger, I did what I now call 'extreme singing.' I could do this thing where I would sing really high. I can't really do that anymore, at my age. My voice has shifted. It's changed.
The best part about being in the 'showbiz' industry is that you can voice your opinion.
Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.
I prefer to listen to a lot of male singers rather than females. Sometimes I find it a bit too shrill. I even find my own voice a bit too high.
There are those who would advocate that the voice of religion be silenced, or at least relegated to the purely private sphere.
The simple truth is that everyone has an opinion, everyone has the right to voice it, and they should if they want to.
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
I was taking singing lessons, and they'd say, 'Your voice is too hoarse. You have to do more exercises.'
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
I always vaguely knew I wanted to perform, but I haven't got the greatest singing voice and my dancing isn't up to scratch. Acting was really the only alternative. My parents have been really supportive throughout.
I wish I had a great singing voice.
I actually have a decent singing voice, and I've never been able to sing onscreen. I'd love to do a musical.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
