I always hear I have the voice-over voice.
America is a symbol of freedom - it's a symbol of democracy - and if that is threatened, we have to take this platform and use it to be a voice for the voiceless.
The thing that's wonderful about social media is that we are able to give a voice to the voiceless and to help educate each other. I benefit from it as much as I provide those lessons.
My self-imposed mandate is to be the voice for the voiceless.
Hip-hop is a voice for voiceless poor people.
For millions of women and men around the world, the playwright Eve Ensler is a beloved figure. She represents the epitome of the politically engaged artist, someone who uses her creative brilliance to illuminate injustice and give voice to the voiceless.
As Americans, we rightfully place tremendous value on having a free and independent press. Our role as journalists is to give voice to the voiceless, and hold our leaders and institutions accountable. But the circle is only completed when that information is consumed by a free-thinking and engaged audience.
My books may highlight corruption, brutality and venality, but they also show that if these things come to light, there is rectification. The voiceless do have a voice; democratic mechanisms and accountability do exist.
I love the power of celebrity because you can give voice to the voiceless.
In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
For my convalescence, I had to exercise my voice only with vowels. It is a medical rule after a long loss of voice.
'Top Gear' changed people's perceptions of me. I've had much more positive responses from my TV appearances than written articles. And I have the weirdest voice.
People don't want to go back to the days, pre-referendum, when the Westminster establishment sidelined and ignored Scotland. They want Scotland's voice to be heard.
I did sing in a choir for a while, but if anybody was sick, I always whispered my songs to make sure nobody could pick out my voice.
Harvard is a wondrously tolerant climate for debate and exchange among a wide variety of thoughts, backgrounds, and beliefs, but the voice of religion on campus is largely inaudible.
I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
I don't like it when celebrities get voice work. But then again, if I was the producer, I wouldn't want a bunch of no-names doing my show and have to worry about word-of-mouth. I see both sides of the story.
I read 'Rebecca' when I was a teenager and was swept away by the powerful voice, the gut wrenching suspense and the dark, twisted love story at its center.
Somehow when I express my voice, I feel that much more vulnerable. For instance, if I used the wrong word, or if I said something and somebody could take the word and misinterpret it.
