Music is designed to be listened to, so it's calling for attention all the time, syphoning off our very limited auditory bandwidth and elbowing aside our ability to listen to the voice in our head we need when we're doing mental work.
I don't think Tom Hardy has an actual voice of his own. Except maybe the one in 'The Dark Knight Rises,' as Bane.
I'm blessed with a pretty good voice. So just sitting back there banging on the tubs wasn't enough.
I knew I had a remarkable voice, but I was embarrassed because it was so high. But when I sang at my bar mitzvah, the rabbi was in tears. He said to my parents, 'He must become a cantor in the synagogue,' but my mother said, 'No, he's going to be a concert pianist.'
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.
Because of her interest and demands, I amplified an average baritone voice into one that is loud and clear.
I bark my voice out through a closed throat, pretty much. It's more, perhaps, like a dog in some ways. It does have its limitations, but I'm learning different ways to keep it alive.
The more excited the rooster gets, the higher his voice goes. He's got a little bit of a Barney Fife quality to him.
Let there be a door to thy mouth, that it may be shut when need arises, and let it be carefully barred, that none may rouse thy voice to anger, and thou pay back abuse with abuse.
I do dumb stuff, like playing my favorite dumb Barry White song and lip-synching into the mirror so it looks like his voice is coming out of my mouth.
I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'
I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little.
I was raised in a family where none of us ever raised a voice, so there was no room to express feelings of rage or even unabashed joy - a little bashed joy, here or there, or being mildly disgruntled.
If you don't have a voice that forces you back to basics, you're a dangerous person. Or, to put it another way, you're at risk, and the people with you are at risk.
Ringo Starr may not have much of a voice, but when he sang a song on a Beatle album, it had its own special charm.
I try not to think too much about where my voice comes from. I'm channeling characters and emotion to come up with beautiful words that tell a story.
As far as actors who pop up again and again in Japanese dubs, and because they're really good actors, people like Steve Bloom, not only in 'Cowboy Bebop,' but also he's sort of the de-facto Wolverine. If you're doing an animated Wolverine anything, Marvel usually just goes to Steve first because he's recognized as that voice.
Adam was placed in Paradise in perfect estate, and in the company of God's angels; God walked and did talk with him. He heard the voice, and beheld the presence of God.
