There should be two main objectives in ordinary prose writing: to convey a message and to include in it nothing that will distract the reader's attention or check his habitual pace of reading - he should feel that he is seated at ease in a taxi, not riding a temperamental horse through traffic.
If we try to envisage an 'average Canadian writer' we can see him living near a campus, teaching at least part-time at university level, mingling too much for his work's good with academics, doing as much writing as he can for the CBC, and always hoping for a Canada Council Fellowship.
For a dyed-in-the-wool author nothing is as dead as a book once it is written ... she is rather like a cat whose kittens have grown up. While they were a-growing she was passionately interested in them but now they seem hardly to belong to her - and probably she is involved with another batch of kittens as I am involved with other writing.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.