I like tweaking the studio and wiring things up almost as much as making music, so that's kind of a hobby of mine, in and of itself. I don't like to collect gear that I know I'm not going to use, though.
People are always bemoaning the fact that electronic music is finding its way into the mainstream. To me, that's the best possible thing. It's going to give us a much bigger platform. It's going to train people's ears to these sounds so they can listen to a track even if it doesn't have vocals.
I've always had an overwhelming desire to express a particular set of ideas. As a musician, I'm always working with different people who can teach me new things and, through that, reach closer to an idea of this perfect expression. I'm never setting out to change the face of electronic music; I'm just trying to define this vision.
I was always a visual artist my whole life, and I came to music really late - when I was 21 or 22 was the first time I ever touched a musical instrument. For me, it was always this fun side hobby.
I just tend toward more lush, full sounds in my productions. I don't have any preference when it comes to analogue versus digital; I use what's best for the application. Analogue synthesis is nice, but it's just one tool among many, and it has its place.
