In some ways, you could argue, television is doing far more interesting work than the movies. It's more fulfilling.
With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
I can bore for England on the subject of James Bond. But I knew I couldn't do it frivolously; I had to take it very seriously, however much fun I was having. And I had to make myself, you know, absolutely steeped in Bond and in Fleming and that world.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
I tend to admire dead people more than the living. All too often, human reality diminishes the glowing reputation.
Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.
