I love the road, and I love coming in contact with the fans. They talk to me and that's irreplaceable. But when I get tired, I head to the studio and I am in there for a long time.
There is no gender to my music. There's no male or female voice, no trite lyrics or poetry. It's much more abstract, so it lives with you longer.
I dread naming pieces of music because being instrumental, most of the time the songs that I write are instrumental, I want the listener to make up their own story as to what it is and get the emotion pure without using logic.
Actually, with 'Truth of Touch' I wasn't even intending on making an album. I was just having fun. I had about a six-month period of down time, and I'm not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
While most of the music I write is instrumental, I love to use the human voice as another instrument.
Being an athlete helps me get those grandiose emotions of pleasure and pain that are involved in sports.
