The work is with me when I wake up in the morning; it is with me while I eat my breakfast in bed and run through the newspaper, while I shave and bathe and dress.
When I die there may be a paragraph or two in the newspapers. My name will linger in the British Museum Reading Room catalogue for a space at the head of a long list of books for which no one will ever ask.
With two people and luggage on board she draws four inches of water. Two canoe paddles will move her along at a speed reasonable enough in moderate currents.
Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
The material came bubbling up inside like a geyser or an oil gusher. It streamed up of its own accord, down my arm and out of my fountain pen in a torrent of six thousand words a day.
A whim, a passing mood, readily induces the novelist to move hearth and home elsewhere. He can always plead work as an excuse to get him out of the clutches of bothersome hosts.
The doctor who applied a stethoscope to my heart was not satisfied. I was told to get my papers with the clerk in the outer hall. I was medically rejected.
Novel writing wrecks homes.
