I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.
That's also why comedy and horror are my two favorite genres of film to write, because you get these outbursts of emotion from people, laughter and shock, and it's really thrilling, and I like to be thrilled.
There's a weird cloud around you when you're recognizable. It was a brief window for me. I think you have to have a pathological need for attention of any type, negative or positive, to thrive in that kind of situation. And I only want compliments.
I've been told that I'm incompetent, socially retarded, maladjusted. I still know that I couldn't function in reality. Los Angeles is a good place for me.
It's possible that I've matured as a writer, and I hope I've matured emotionally, but I always find myself revisiting these adolescent scenes.
I feel like I'm part of a generation of people who are stuck in the past and are really self-absorbed. I mean, we're actually taking pictures of ourselves and posting them on Facebook, and keeping in touch with people that should have been out of our lives 15 years ago.
For me, writing essays, prose and fiction is a great way to be self-indulgent.
There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.
I don't have a terrible singing voice, but I also wouldn't call it 'good.' I can carry a tune.
Speaking of Twitter, I don't even know if I composed a blog entry in 2009, as I was too busy parceling my every thought into cute 140-character sound bites. I used to only worry about being pithy for a living; now some of my best lines are wasted on a free app!
I absolutely relate to being alone in squalor, trying to come up with something adequate. I relate to that, and I've been known to crawl out of bed and drink out of a 2-liter bottle of Diet Coke.
Fact: The new '90210' is cooler than the old '90210.' It's the lithe, streamlined Skipper to the elder series' venerable Barbie. Gone are the traditional parents - they've been replaced by a hipster mom n' pop who get busted necking in the car.
But here is the single greatest thing about the 'Vanity Fair' party: There are uniformed In-N-Out Burger employees circulating the room with trays of cheeseburgers all night long.
