I'm a big believer that the reception is not the endeavor. And what I enjoy about almost all my work is the endeavor, the doing of something.
If you chase fame, you make bad choices. Being famous isn't interesting.
I did Chekhov's 'Three Sisters' once. Two months in, I remember going, 'Human beings shouldn't be forced to do or watch this play every night.' It's so dark and so bottomless.
Writing is harder than acting. I enjoy acting for just the brevity with which you can be in the experience of doing it. Writing is kind of more satisfying in that you're creating a world and doing something that feels bigger, but it's very time consuming and has a higher threshold for failure.
When you're wanting to delve into something, it's the one thing that cable television lets you achieve, in a way where you can have long form. There are no defined chapters. There are scenes, but everything's not bookended by a Chevy commercial.
When was the last time you were super offended? I might be like, 'That's the dumbest thing I've ever heard!' Or, 'It's not my thing,' or, 'It was a stupid joke.' But there's such a sensitivity now. Political correctness has become really insidious.
I know firsthand how much work has usually gone into a screenplay, so if there's something that rings false or a line that I would think would need a tweak or something, I will think long and hard before I even recommend changing it. In that sense, I'm very faithful to the scripts that I get - if they're good scripts.
I've always found it funny in life when you meet people who are incredibly stupid and incredibly confident at the same time. Actually, there is nothing funnier. I mean, Donald Trump is a perfect example: he's essentially a seven-year-old on a podium.
If I had to write long-form stuff with descriptions of rooms, it would be so boring for me. I like writing dialogue and jokes and situational stuff.
