The title came rather early in one of Ringo's more tired and emotional moments.
Politics is all about relationships, people. A lot of it's emotional. It's not rocket science.
Life is an emotional rollercoaster. It really is.
Full, saturated colours have an emotional significance I want to avoid.
There are various kinds of savagery: emotional, spiritual, economic, and cultural savagery.
Saying goodbye is very emotional.
The scientific method is about trying to remove our own bias and subjectivity, and be as objective as possible. But then you can put it back into context and youβre allowed to be emotional and human about the way you engage with it.
I'm a Scorpio, and who knows if there is any validity to it, but I'm very emotional. I have high highs and low lows.
I really am a full-blown Scorpio. Whenever I look things up about my sign, it's like, Check, check, check: thoughtful, detailed, moody, stubborn, prideful, emotional.
In the first test screening of 'RoboCop,' it tested very high. Then they asked the people why they liked it, and the first answer was, 'I liked it because it was political.' And the second answer was because, 'It feels like it deals with current affairs.' And the third answer was, 'Because it feels emotional.'
I believe the process of going from confusion to understanding is a precious, even emotional, experience that can be the foundation of self-confidence.
Emotional self-control is the result of hard work, not an inherent skill.
My long-term dream is to have self-education in schools for mental, physical, and emotional health because we need to learn how to speak to ourselves in a loving way and to each other.
I know very well that to admit to loving Bright Eyes is to admit to having an overgrown brain region devoted to self-pity, sentimentality, regret, and a handful of other not very appealing emotional states.
There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.
'Fall Of A City' aims to convey, in all its emotional richness, the effects of war and the toll taken on city and family by the horrors of siege.
The silent movie is an emotional cinema: it's sensory; the fact that you don't go through a text brings you back to a basic way of telling a story predicated on the feelings you have created.
I am very emotional, and I get really upset when any of my films flop. I also get hurt over silly things. That is the way I am; I can't help it.
I am very proud of my role in 'Singularity.' It pushed me into the territory of period romance. It was a very emotional and challenging role.
'Arab Labor' was light, snappy. We got emotional over things, but from a safe place, from the terrace.
