Our English language really says if you're not a theist, the only alternative is to be an atheist. What I'm trying to do is develop a language that will enable us to talk about God beyond the, what I think, are sterile categories of theism and atheism.
Even though you picture Russians as stoic, their language is really poetic.
I was stage-struck from an early age. I just loved the language. We lived quite near Stratford so I would cycle and watch the plays.
Language commonly stresses only one side of any interaction.
In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.
Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
I'm not trying to stump anybody... it's the beauty of the language that I'm interested in.
I have struggled all my life with my stuttering. Not to mention all my other speech impediments. I think I have every language disorder known to speech pathologists.
No one ever became, or can become truly eloquent without being a reader of the Bible, and an admirer of the purity and sublimity of its language.
I've always seen movies in English with Spanish subtitles. For audiences around the world, the language is less important than if it's a good film.
They place great stress on the clarity of our language for expressing nuances and showing subtleties.
The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.
Being able to incorporate my language into songs is really cool. It's really cool to see that people are susceptible to it. It helps with writing a lot to turn off one language and then go to another.
The phrase 'blue plate special' has always been one of the homiest, coziest, most sweetly nostalgic phrases in the English language for me.
We need to keep switching up the language around climate change.
'One Leg Too Few' by Peter Cook is a perfect sketch. The setting is ridiculous, the language is beautiful, and the performances make the most of every syllable and movement.
Man's ultimate concern must be expressed symbolically, because symbolic language alone is able to express the ultimate.
The language of clothing is high symbolism and we all, in moments where we need to know this, realize it.
The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
